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Schrott to the Heart

Uruguayan Bass Reprises the Role That Seduced L.A., But He’s Got Mixed Feelings About Don Giovanni

by Julie Riggott

Don Giovanni claims he’s slept with 2,065 women. Erwin Schrott’s not buying it.

“He’s totally a storyteller. I think he’s such a liar, you know?”

Schrott would know about the legendary Latin lover. The opera sensation has been in Don Giovanni’s shoes – and inside his head – on stages in Washington, D.C., Florence, Genoa, Naples, Milan, Valencia and London. But he’s not counting exactly how many performances.

“Why should I count? I am not Don Giovanni. Don Giovanni is the one who counts,” the Uruguayan bass said, laughing.

The 35-year-old Schrott is in demand internationally because his sensual voice, heartfelt acting and good looks make the press rave and crowds swoon. Downtown Los Angeles audiences get a second chance to be seduced as he reprises his role in Mariusz Trelin´ski’s critically acclaimed 2003 L.A. Opera production of Mozart’s Don Giovanni

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Doug Davis

Original political cartoons from Downtown News by Doug Davis, [email protected]

© Los Angeles Downtown News. Reprinting items retrieved from the archives are for personal use only. They may not be reproduced or retransmitted without permission of the Los Angeles Downtown News. If you would like to redistribute anything from the Los Angeles Downtown News Archives, please call our permissions department at (213) 481-1448.

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Rat Pack Redux

Rat Pack Redux at Cicada

The New Old Lounge Act at Cicada Restaurant

by Kristin Friedrich

If you’re committed, and your shoes are semi-comfortable, Thursday nights in Downtown Los Angeles can include endless combinations of the following: symphony, theater, live music, an art walk, sporting events, a speakeasy, and bars of the wine, dive, faux bordello, frat boy and velvet rope variety.

As if the list needs to get any more colorful, there is now a Texas-born crooner who channels Sinatra and cracks wise, Rat Pack-style, with an orchestra that does not exist.

Max Vontaine appears every Thursday at Olive Street’s ornate Cicada restaurant, his rich baritone teasing out hits from the Chairman, Bobby Darin, Cab Calloway, Tom Jones and Elvis. He also tosses in the odd chestnut such as The Doors’ “Riders on the Storm” and the theme song from “The Love Boat.”

One imagines a conversation with Vontaine to be filled with wafting smoke, deep chuckles and “You’re money” and “Daddy-O” asides. But

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Seams From the Screen

Hollywood Comes Downtown for FIDM’s Annual Costume Party

by Lea Lion

On a Friday morning, a motley crew of reporters is clamoring to get the stars’ attention. Photographers are snapping pictures in rapid-fire succession and TV cameras are rolling.

These types of scenes are ubiquitous in Los Angeles. What sets this one apart is that the stars are not famous actors and actresses. They are the behind-the-scenes people who make it all happen.

It is the day before the opening of the annual Art of Motion Picture Costume Design Exhibition at the Fashion Institute of Design and Merchandising (FIDM) museum in South Park, and the media has been invited for a preview (hence those clicking cameras). Featuring more than 100 costumes from 25 films, including outfits from all five films nominated for this year’s Academy Award for Best Costume Design, the show is a whole other type of blockbuster. The Downtown Los Angeles exhibit runs through April 5.

Three kimonos

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